Thursday, 20 December 2012

The Assassinator Narratives - chapter 1

Mr. English
 
For one week in a district newspaper of the City, an advertisement appeared in the classified section that also advertised for hookers, drugs at reduced prices and black market merchandise. It's not like the newspaper is legally allowed to advertise these things, well, not the drugs at reduced prices part anyway, it's just that the Chief of Police Aaron Copland's police department is so understaffed, underfunded and underpaid that they can't possibly care about what's being advertised in the newspapers. These policemen, grizzled old veterans or rookies from out of Police Academy alike know that this is beyond their control. In a city plagued by crooks and their crooked colleagues in City Hall, the only thing law enforcement can do is play by the rules of these crooks and pretend everything is under control - their control - which in reality it's not, but who cares about reality?
For one week it was there, one little advertisement, two columns in width, written in Courier New, black and white, and one telephone number at the very bottom:

Are you skilled with a firearm or weapon of melee? 
Do you have a special set of skills that make you dangerous? 
Have you an amoral or immoral conscience? 
Have you ever killed a person? 
If not, are you willing to kill a person? 
Do you want to be an employed “Assassinator”? 
If your answer is yes to any of the above questions, please contact Mr. English by pay phone at the number below…

After one week, the advertisement disappeared. Not many people in the district where the newspaper ran answered to this advertisement despite the high unemployment rate; people were either indifferent to the sinister advertisement and the job it pertained, or they were instead seeking a job working directly for one of the many organized crime syndicates operating in this particular district, and had no interest in a job working for a wet work organization that works for the organized crime syndicates. On Monday evening following the week the advertisement came and disappeared, at one of the piers in the City harbor, Rebekah Wyler and her companion Miranda Isaacman were waiting for Mr. English to finish interviewing Gerard Narrator, the first candidate.
Nobody knows Mr. English’s first name. People usually assume it’s an ancient name in the likes of Archibald or Bartholomew or Ezekiel, names hardly anyone knows are names now days.
Nobody also knows that Mr. English in his advanced age is still a virgin. Sure he experienced the brief flings with relationships in his teenage years like all teenagers do no matter what era human history is in, but none of those flings resulted in him ever losing his virginity. And after his teenage years of what could have been golden opportunity, he entered the very professional trade of the Assassinator and dedicated his full self to the trade, so he had neither time nor need for relationships, and thus remained a virgin all his life up to now.
Mr. English had given vague instructions to each of the callers. They were to arrive at the warehouse on their assigned time and wait for him. That was it. Rebekah was the second caller Mr. English received when the job listing was published. She had called on behalf of Miranda too since Miranda is her life-long companion and she always drags her life-long companion into whatever she was up to. That was the deal they made – to drag each other into whatever each one of them had gotten themselves into – when they were two kids in an orphanage. The deal stuck.
Gerard went into his interview known to Rebekah as Gerard, and came out as Narrato. According to him, no one’s ever called him by his first name and no one ever did call him that. Rebekah was already impatient that Narrator took too long and gave him a look that frightened and baffled him for the rest of their time knowing each other. Though Narrator was slow during the interview, he was hired on the spot, without him realizing it. Mr. English didn’t have to interview Rebekah for a long time. Miranda only had to wait two minutes before it was her turn. She didn’t have much to say, and the girls were hired on the spot, in five minutes flat, just as Arliss Stanton, the next candidate showed up after participating in a drunken bar fight.
Next, Howard Fast arrived, nervous and five minutes earlier than he should, and after him was Ruslan Brockovitch, five minutes later than instructed, and then the last candidate woke up from the garbage pile where he had been sleeping since Narrator’s interview and strolled into the warehouse. Homeless drifter Boris Krazynski was the final candidate.
Before they start working professionally, all Assassinators undergo a month of training to learn the way of the Assassinator, much like a modernized, commercialized version of the way of the Ninja.
Mr. English instructed the seven candidates he interviewed that evening at that warehouse at the same spot he had trained Assassinators at ever since he arrived at the city many years ago. At the end of that month, the last thing he had to tell now-professional Assassinators Rebekah, Miranda, Arliss, Howard, Ruslan, Boris and Narrator were the rules of the way of the Assassinator. There are five rules.
The first rule about being an assassinator, brief pause by Mr. English, speaking in his elegant monotone, is you don’t assassinate children.
Yeah, does that include teenagers? Said Rebekah, bored.
The second rule about being an assassinator, another brief pause, is you don’t assassinate women.
Pfft, he didn’t even answer my question. Rebekah said loudly, under her breath. Miranda shushed her. Miranda is a quiet, soft-spoken girl who rarely talks to anyone except Rebekah.
Unless, of course, if the woman in question is a bitch, then the second rule does not apply, this remark caught everyone off guard, even Boris looked up from his staring at the pebbles embedded in the pavement of the old abandoned lot this was taking place in.
Aren’t you talking about every woman in the world? Arliss the ugly, tough-talking thug hollered gleefully.
Fuck you, misogynist! Rebekah hollered back.
What are you gonna do about it, bitch? You wanna go?
Woah, don’t fight now, listen to the rules, Mr. English doesn’t repeat them, Gabriel O’Brien said, stepping between Arliss and Rebekah, who had both stepped out of line and were within an arm’s reach of each other’s neck. Gabriel is a neat, clean-shaven Assassinator veteran, but he usually helps out Mr. English and rarely goes out on a job.
The third rule about being an assassinator, brief pause as predicted, is you don’t assassinate a person you are not assigned to assassinate, in which case it will be considered murder and you will be charged for murder should you be arrested.
Rebekah and Arliss had stepped back in the line of the seven graduate Assassinators. Arliss was disappointed he didn’t get to fight Rebekh; he could even have tried to tear her top off which would have made his day or even his whole week. Arliss has a sick mind.
By the way, nobody had anything to say about rule number three.
The fourth rule about being an assassinator…
Can’t he just shorten his sentences already? We don’t need the rules numbered for us. Rebekah interrupted and Mr. English stopped speaking. She signed dramatically. Miranda quietly shushed her again. Mr. English resumed speaking.
…is as an assassinator, you must accept all assignments from all clients, without exception, unless refusal to take part in the assignment is a directive from the Assassinator commissioner, who if you don’t already know is myself.
The seventh person in line, timid, rural runaway Howard was writing each of the given rules down in a small notepad. Arliss, who was standing next to him, thought it would be amusing to knock the notepad out of Howard’s hand, which he did.
Howard blinked in surprise and bent down, hand stretched, to retrieve his notepad. Arliss stomped the heel of his boot onto Howard’s hand as it closed around the fallen notepad. Howard cried out and collapsed in a heap.
Rebekah meanwhile had come up behind Arliss. She tapped him on the shoulder. As Arliss turned around to the source of his interruption from making Howard’s life miserable, Rebekah socked him across the face with Boris’ trash picker – which she borrowed from his for the moment without asking – and when Arliss did not fall to the ground unconscious because of his thick skull, Rebekah cracked another blow to his temple, and Arliss was knocked out cold. Boris snatched his trash picker from Rebekah and stuffed it back into his burlap sack which contained all his possessions.
Look what you did. Now he isn’t going to hear all the rules, Gabriel said, shaking his head in disappointment. He stood on the right side of Mr. English, dressed in the same impeccable attires. In his pockets he always keeps packets of hand sanitizer and a spray tin of breath freshener.
Don’t worry, nobody gives a shit, Rebekah said, and gave him a wink. Feeling accomplished, she returned to her spot in the line.
Howard stood back up, massaging his injured hand with his other one. He took a step away from the unconscious form of Arliss, muttered thanks to Rebekah which she didn’t hear and pocketed his notepad, having no more courage to take down the rules.
The fifth rule about being an assassinator is as an assassinator, you are to never assassinate other assassinators. This also goes against the way of the assassinator and is punishable by assassination.
Ooh, what a tongue-twister, the suave, courageous, handsome Ruslan remarked in his suave, courageous, handsome accent. He winked at Rebekah, who replied with a smirk.
That will be all, and also, will one of you be so kind to tell Mr. Stanton the rules he had missed after he was knocked unconscious by Miss. Wyler. That will be greatly appreciated on my part. Now, I hereby declare you seven, Mr. Brockotivch, Mr. Fast, Miss. Isaacman, Miss. Wyler, Mr. Stanton, and Mr. Narrator members of the Assassinators brethren.
I’ll be taking you to our lodgings. Gabriel spoke up, follow me to the van.
When Narrator looked back to where Mr. English had been standing a moment before, he had vanished. Narrator scratched his head in puzzlement.
The other Assassinators were leaving the lot. Narrator hurried to catch up. Gabriel’s van was parked beneath the power lines far out in the marshlands to the west. They were at the outskirts of the City’s industrial zone.
This was the graduation of the assassinators-in-training; they were now assassinators-in-working. The unceremonious ceremony took place on the vast overgrown lot of a factory that once manufactured automobiles residing abandoned in the industrial section of the City on a fine, cloudless day. The sun was shining, and a light breeze accompanied the cooling weather, stirring up trash and fallen leaves in the City’s roads, announcing the coming of winter (always a source of sorrow for the City’s large homeless population; an average of two percent of them freeze to death in the streets each winter).

Sunday, 16 December 2012

A Something New

Here is a little bit of a spark of creativity I had around two weeks ago after watching some clips from the Sin City movie and thought, "Gee, it would be cool if I could write something like that." So I did, and what I wrote probably doesn't make any sense to you right now.
After that spark of inspiration, I've gotten around to jotting down some ideas for an extremely complex narrative that has something to do with what I wrote that day, here it is:

The room is black and white and completely square. The whitest part of the room is the single light blub dangling from the ceiling, right center of the black and white room. Technically, this is the brightest part of the room, but for the sake of a graphical novel setting, we’ll reduce the colors to simply black and white and all the gray areas in between. The blackest part of the room are the dark corners of the room, which, for some reason of trick lighting, aren’t illuminated by the bare light bulb even though nothing really obscured them from the light source. The second blackest part of the room is the suave young man with the shiny white sunglasses sitting comfortably, or as comfortably as he can in an old, five-dollar plastic lawn chair (this is indoors; the lawn chair is not in its correct setting). His entire form, shrouded in pitch black (this is despite him sitting right under the light of the bare light bulb) except the glowing white lenses of his sunglasses, is relaxed, leaned into the backrest of the plastic lawn chair, his heads pillowing the back of his head of neatly trimmed black hair. The lighting in the room is so ridiculous and defying of the laws of science that nothing of this young man’s features (which are presumably handsome enough to charm members of both sexes) can be distinguished under the darn lighting; he is simply a shadow of himself, his form only slightly blacker than his background, one of the four walls of the room.
For Stanton, he is having a lot of trouble trying to separate the shadow of the young man from the shadow of the background, since he is shortsighted. Stanton is also a young man, albeit a less handsome looking one, and somehow that warranted him the favor of the room’s lighting, unfortunately. Since his form is not completely shrouded in blackness, he can actually be described; he has quite a mean face, narrow beady eyes, a buzz-cut, and no small quantity of knife/glass/fingernail scars all across his visage. The only damper on this mean street-fighter’s face has to the explosion of acne stretching diagonally from Stanton’s right temple to his left cheek, concentrated around his nose area which made the face extremely undesirable for any parts of the body of anyone else to touch. Even hookers didn’t want to kiss Stanton’s face unless he pays them a bonus. People either get acne or they get freckles, rarely both; Stanton always envied people who get freckles, freckles can be attractive, acne, however, cannot.

I've always wanted to write something in the style of Catch-22, a book I read and admired greatly for the density of its narrative and its endlessly broad vocabulary. I'm no Joseph Heller, and I'll never be Joseph Heller, but I've finally been inspired with an idea that has enough characters to write a story that will make even my own head swim (exactly what Catch-22 did). If you want to see more on this story, or if you have suggestions about where I can take this story to, by all means tell me. Thanks!

G!

Saturday, 15 December 2012

Time For Some Uplift

In the wake of bad things happening,
I like to listen to sad music,
And think sad thoughts,
Because it's easy to become pessimistic,
When bad things happen.

After the gloom and the negativity,
I like to dream that one day,
Everyone will have a share of happiness,
Everyone will have fulfillment,
And no one will feel pain,
Then everyone will say to everyone else,
"It's wonderful to be human."

This dream, I'm sure,
Is dreamed by many,
And it's an unlikely dream,
If there ever is one.
But I like to keep dreaming,
And believe in the unlikely,
Because some dreams,
Even pipe dreams,
Are worth believing in.