Thursday 23 February 2012

Success in A Minor

I have finally decided on a non-difficult way to rewrite my short story (titled Wilby Lake) effectively. Here's a sample from the opening:


Wilby Lake
By G!

There's a lake at Wilby Lake.
There's a town called Wilby Lake that used to be right next to Wilby Lake. Now, Wilby Lake is at the bottom of Wilby Lake. Because some years back, the St. Lawrence River got so high, the town built in the lowlands two kilometers away, flooded.
There’s rumored to be zombies in Wilby Lake; zombies of the inhabitants of the now underwater Wilby Lake.
There's a bus stop that stops right at the fringe of Wilby Lake, that bus stop has stopped there a long time ago, but busses don't stop there anymore.
Confusing, eh?

“What we’ve got here is a failure to communicate.” – Luke Jackson

People have always had trouble understanding me. It began I think when I was four years old, or maybe five, I can’t remember; it was sudden and totally uncalled for. As I was told, one day, I walked into the kitchen in the morning and told my mother I’d like pancakes for breakfast. My mother told me she just stared at me then because she couldn’t understand what I was talking about, and she asked me to repeat the sentence, I did, and she failed to understand what I said, again. I didn’t understand how my mother did not understand the sentence “I’d like pancakes for breakfast please”, I still don’t. It turned out to be, as she explained after she told me I had to get the pancakes myself from the pan for her to get what I was going at, that she did not understand the way I said “I’d like pancakes for breakfast please”. It seemed odd, and it has been so ever since.
It’s not that I don’t think properly, or that I have trouble forming comprehensible speech; the problem seems to be the fact that to everyone’s ears except my own…well, an example then, since I don’t even believe such nonsense myself: when I think “I was talking” and I say “I was talking” and to my own sound ears I hear “I was talking”, to other people (so they say), it would sound something along the lines of “Talked ised me.” If you didn’t understand that transition, neither did I and neither did the fifty or so speech therapists my well-to-do parents took me to who all exclaimed in horror at my horrid speech patterns (actually, they told us my speech lacked pattern, that was apparently the problem) which I did and do not feel I actually have. I was at a complete loss; it was clear to everyone that I have trouble speaking English properly, everyone that is, excluding me! I am the only person in this whole world I live in who does not have trouble understanding me, or rather, me speaking, but since people are society animals and talking is in the fundamental genes, talking weird makes communication a heck lot difficult, for everyone but me, that is. So here’s my conclusion: I understand my thoughts, I understand what comes out of my mouth in words because I hear it in my head as I’m quite everyone does in theirs, and nobody else understands what I say, and later, what I write. What may look and sound like “I have to go to the washroom” sounds like such incomprehensible syllable mash-up gibberish to other people I gave up trying to find out what other people are hearing of my words in kindergarten. I chose to speak as infrequent as humanly and communicatively possible.
All this happened before Simona was born, so everyone in the family took some time getting used to my apparently sudden and mysterious speech change except her. She listened to my so-called difficult speech growing up while I babysat her and thank heaven and earth she didn’t copy my speech and grow up to speak just like I do (or so they say I do). My grandmother was especially horrified to learn of my inability to communicate verbally with people, she had high hopes I would become a senator in the parliament, which would require a lot of public speaking chops. Well, when her hopes were dashed she had a heart attack soon after; she joined my grandfather, who I had never known in the Sims family plot down in the cemetery. 
My ever-supportive parents were quick to assure me I had nothing to do with the cause of my dear grandmother’s heart attack and ensuing death, though I’m quite sure if it weren’t for the extra large inheritance she left behind they’d loath me quite badly. Fortunately, the outcome of events was most well in my parent’s favor they forgave me for bearing such a fatal flaw (so they say), while I swear on my own grave in the future, I DON’T HAVE A SPEECH PROBLEM…well, depends who do you trust more, the narrator, or the characters.

If you have any suggestions at all, please fell free to scroll down there and comment (the quote is from a movie called Cool Hand Luke, it's a really cool movie and I highly recommend it), and if you'd like to read the original, comment as well and I'll post the link to where that version is posted.

Monday 20 February 2012

The Observatory

By G!

Life in its definition, is a mysterious place,
The one place we observed life, was in the observatory.
As a pair of eyes can not see its own face,
Life can't be seen, if we're living in it.
To have a path in life, is an obligation,
And the observatory permits no obligations, not obliged to just it.
Hence we can no longer frequent the observatory,
When we are obliged to the direction of life.
The observatory is the eye, only the eye,
To witness life, in all its horror and glory.
We may have seen all, though done none,
Long as we are, say, protected by the observatory.
In everyone's history, we all make our stay in the observatory,
From what we see of life there, we decide our paths in life.
This stay in the observatory, though pleasant, not infinite,
Sooner than later, life beckons for our coming.
When life calls for us, hopefully we've seen much,
And sentimentally, we step down from the observatory.
We soon forget, how life looked like,
As we enter life, we only see the path,
That paves forward from us.

I wrote a lot of poems recently, it's mostly because my English teacher wants us to submit an optional 21 line-poem for the poetry unit, besides the mandatory literary paragraph. And here are the poems I wrote:
The Observatory (This one)
It Spends a Lot
A Hypothesis on Love
I'm Dreaming 
Does anyone have a suggestion as to which one I should submit for extra credit?

I'm Dreaming

By G!

I got a fast car; I'm speeding.
I hear sirens; the cops are chasing me.
I run another red light; the cops do the same.
I think; law enforcers gotta break the law to catch lawbreakers.
I laugh; it's funny how cops and robbers work.
I stomp on the gas; they just sent a chopper after me.
I put on some shades; that searchlight's distracting me.
I don't get it; how can a chopper fly so fast?
I guess it's how things always work; birds fly, and flying beats walking, running.
I light a lighter with both hands; you don't need arms to drive.
I take a drag on the lit wooden pipe; it's what cool people smoke.
I like the pipe; pipes are sophisticated (better than joints and smokes).
I turn the radio louder; it drowns out the megaphone the cops are using.
I tap my fingers to the radio's beat; no lyrics.
I honk the horn; there's nothing in my way, everything's behind me.
I'm not surprised; the cops just won't give up.
I wish someone's riding with me; I won't be that lonely.
I imagine someone riding with me; I'd have someone to talk to.
I say to my companion "where would you go?"; I haven't a clue.
I sigh; you're always alone in your dream.
I open my eyes, and I'm staring at a white ceiling...

I wrote this at 12 pm, and it might look like I wasn't thinking properly. I'm not sure I was either.

Thursday 16 February 2012

Mission: (way too) Possible

I'm having an awesome day! I have NO homework! I (do) have a few projects to do but heck with all that! Tonight I'm watching Mission: Impossible 1 and 2, (old movies in the days when Tome Cruise made some great movies too), and I'm saving (or leaving) work for later on (Mission: Impossible is more important). You might call me a procrastinator, but have you seen Mission: Impossible?

I'm about to do rework on a short story I wrote a long time ago. I have finally decided upon some way to approach the editing, now all I need is the how. The problem is: I need to write a first-person narrative that makes "I geted into the car" sound intelligent and not like it was said by a sped who's still learning English. If you've read A Clockwork Orange, you might understand what I mean. I have to create a new version of English that isn't called dumb-speak, and so far I haven't found the intelligence capacity to undertake such a task successfully...yet, I hope.
Any suggestion is helpful; how about if I crack open a thick dictionary (and thesaurus) and try to use every five-syllable adjective I can find? Will that prove the protagonist in my story is not dumb, but only communicating differently?

Wednesday 15 February 2012

It Spends a Lot

By G!


It spends little time, to take out your wallet,
And give the hobo on the street, some loose change.
But it takes only three seconds, to walk just by not looking,
And keep your damn loose change.

It spends seconds, to stand aside for some time,
Let the old lady enter the bus, before you do.
Though it takes two seconds, to rush before the lady,
And take the last seat on the bus for yourself.

It spends minutes, in a small conversation,
To explain to the new guy, who to go to, what to do.
Yet it takes no time at all; to not say a word,
Independently, let the newbie figure it out.

It spends a moment, standing still,
To hear the unknown artist, in the subway station,
Still, it takes no time, to carry on by,
And brush off the music among busy footsteps.

It spends a while, to do another's favor,
A blind favor; an unpaid for favor;
Is the other taking advantage of your good nature?
Forget it, worse to spend than let doubt hold it back.

It spends a lot to do these things; 
The worst solution: don’t spend.

Poetry

I rarely write poetry, but this is one of those cheesy times when I got something I just have to write down, here goes (and it rhymes too! I can rarely make a poem rhyme so this is a rarity):

A Hypothesis on Love


Being in love feels great,
The feelings are first-rate.
I don’t want to be anywhere,
But with my love right here.

You can call me cheesy,
That love’s easy-peasey.
Well, trust me,
It’s easier for a sane man to go on a killing spree.

Love is joy; is effort,
Love is simple? Nothing of the sort!
And love is the smallest gesture,
And the greatest treasure.

The sister of love is hate,
And theirs is a common fate.
Without one another,
Love is nothing but bother.

Love is a secret best unexplained,
Let it soar, not caged insane.
If in love you try to explain,
Love will surely leave you in vain.

If you've read carefully you can tell,
I am not under love’s spell.
For here’s my attempt to explain love; I was never in love.